Why some children refuse

Singing is personal in a way that playing an instrument is not. A wrong note on a piano belongs to the piano; a wrong note sung belongs to the singer. Older children in particular can become self-conscious, and singing in front of a parent who is listening for mistakes is the hardest audience there is.

Research on children's singing treats ability as a continuum that develops with experience. A child who has not sung much is simply earlier on that path. The aim is more singing, in small and safe amounts.

Steps that work

  1. Take the audience away. Let them practise alone in a room with the device. The marker listens; nobody else needs to. Ask afterwards what the trace showed rather than listening at the door.
  2. Start with humming. A hum is quieter and feels less exposed. Hum a phrase together, then hum it alone, then open it out to "la".
  3. Sing together first. Sing the echo with them twice, then drop out for the third time. Echo games, where you sing a short phrase and they copy, are exactly the skill the test asks for.
  4. Find their octave. If a phrase feels too high or too low, they can sing it an octave away and it still counts. The phrases here are placed from B 3 to E 5, inside the comfortable range of most children.
  5. Keep it short. Three echoes a day is plenty. Grade 1 phrases are 2 bars long and move by step between the keynote and the third; that is a small, achievable task.
  6. Praise what they did, not the score. "You sang all four notes" is worth saying even when two were flat. The score will rise once singing stops feeling like a test.

Worked example

Week 1: the child hums each echo with the parent, then alone, with the door closed; the parent reads the trace afterwards and praises any note inside its band. Week 2: the hum opens to "la" on the first echo only. Week 3: all three echoes on "la", alone, and the child asks to see the trace. The scores barely matter in those weeks; the number of sung attempts each day going from 0 to 3 is the progress.

When to talk to the teacher

If after a few weeks of gentle practice the voice does not move with the notes at all, or singing seems uncomfortable or hoarse, mention it to the teacher. They hear the student every week and can suggest the next step. The teacher sheet shows what has been practised and how it went.

Common mistakes

Sources

Auraldesk is not affiliated with ABRSM, Trinity College London, AMEB, RCM or any exam board.

Frequently asked questions

My child says they cannot sing. Is that true?

Very rarely. Singing in tune is a skill that develops with use, and children who have sung less simply have had less practice. Treat it like any other skill: small, regular, low-pressure attempts.

Can my child hum or whistle instead?

For practice, yes: humming is a good way in, and the marker hears a hummed pitch. In the exam the examiner expects singing, so move from humming to singing on a syllable such as la once the notes come easily.

What if their voice is lower or higher than the notes?

Singing an octave lower or higher counts, in the exam style and in this trainer. A boy whose voice has dropped can sing an octave down. If a phrase sits awkwardly, play it again and let them find a comfortable octave.